love never dies phantom of the opera book

tour is based on a much livelier Australian production, directed by Simon Phillips. “Love Never Dies” was widely viewed as a bore in London, but this first U.S. Is Gustave the walking consequence of what may or may not have gone on inside that boat, down there in the first show, inside Hal Prince’s candlelit, PG-13 tunnels of love? Hmmmm.īut if you, or yours, lust for a new, “Phantom”-like experience, well, by all means. The kid doesn’t have his own mask or anything but doubts are rapidly cast about his true parentage.

What the P of the O doesn’t know is that his muse now has a kiddo, Gustave (Casey Lyons, who is just fantastic). He lures Christine and Raoul - sadly impecunious and now boringly married - from Europe to Brooklyn with the promise of mucho cash for a sweet ditty. P left room for the central premise of “Love Never Dies,” which is that Christine went ahead and married her Raoul (Sean Thompson), while the masked one was spirited away by Madame Giry (Karen Mason, no less) and her daughter Meg and has for a decade been chilling at Coney Island with the freaks and the bathing beauties. Having conveniently vanished at the end of “The Phantom of the Opera,” much to the chagrin of the angry mob, Mr. Lloyd Webber, whose sense of ambition remains acute, is haunting this whole thing. (Meghan Picerno of the New York City Opera is Christine Daae a super-voiced former Christine, Mary Michael Patterson, plays Meg.) It’s not your usual road company. If you’re a student or aficionado of Lloyd Webber’s savvy skills, and I’m kinda both, you’ll hear echoes of many other shows and still maybe think this to be some of the Lord’s best compositional work, overall.Īnd since “Love Never Dies” has yet to play Broadway, where the 30-year-old “Phantom” still parties like it’s 1988, this company of actors is stacked with ambitious, top-drawer, mostly operatic vocalists, nailing these compositions at the very highest level. “Before the Performance,” especially the part sung by the Phantom, is extraordinary. The score to “Love Never Dies” (lyrics are by Glenn Slater) stacks up nicely with the Lloyd Webber oeuvre and there is a trio of songs that truly are tours de force.

Love never dies phantom of the opera book